April Kids '07 Gang

Monday, April 9, 2007

Summer Workshop Trainers Speak

Youth Workshop Trainer - Ruchika Chanana:

I've been working with ART as faculty on children's theatre programmes both short-term and long-term. I've dealt with tantrums and prodigies, starry-eyed, pushy parents and painfully shy participants. It's a different world out there in kids' theatre!

And you know what- it makes a world of a difference, too. Kids come in, self-conscious and bored, and leave confident and disciplined. Their minds fly with imagination, and their bodies learn to use space and voice like they were born to it. And they go out into the world stronger, happier and so much more creative.

This time I am taking on the youth bunch. I work with young people regularly, but I've never done a full length workshop with this age group before. I look forward to it with excitement, fully anticipating the challenges of dealing with teenagers. I'm also looking forward to trying some unusual theatrical devices with this group, including non-script-based theatre, and the theatre of real life, so that they can create their own stories using their own experiences and the issues that are important to them.


April Kids Workshop Trainer - Samta Vij:


“THEATRE” is more than stage, lights, curtains and shows….

For me, Theatre is an experience difficult to put in words or to explain so I wouldn’t even try to do so but yes, it’s an experience which I would like to share with my little friends and take their experiences as my learning. It is not necessary to have theatre workshops merely to make actors, do a performance or have a play during an annual function, theatre has more to give.

A journey… to a world created by the children’s own imagination, where they can play with their dreams, share their own ideas and express their feelings, thus enriching them with an experience which is going to develop them as fulfilled, positive human beings. It brings out of an introvert child a world within him of which he himself is unaware and directs the energy of the hyperactive child in a direction of magnificent creativity. Thus building an inner confidence in the children and making them sensitive to the subtle things of life which one is missing in this so called “techno world”. It is very important to be good human beings before being “intellectuals”!!

Wednesday, February 14, 2007

Licences to perform Samuel French Plays

When you start on a new production and draw up the budget REMEMBER that all your efforts cannot begin until and unless you have a play. Hiring of venue, print and publicity, costumes and sets and props, rehearsal expenses: none of this would have to happen if you didn't have a play and yet you do not budget to pay the playwright!

Samuel French Limited (
www.samuelfrench-london.co.uk) is the world's largest publisher of play scripts. The Guide to Selecting Plays for Performance, now in its 92nd edition, lists over 2,000 titles for which Samuel French hold the amateur performance rights in the English language.

Each play entry has a list of characters, the setting and a synopsis; against each title you will also see "Fee Code A...M". The letter A through to M appearing here sets the fee amount per performance in Pounds Sterling. This could vary from 10 to 80 Pounds Sterling or approximately 800 to 7,000 Rupees.

The word 'performance' includes readings, extracts, charitable, private and may involve payment of a fee. Even if the fee is waived the name of the author is mandatory on all print and publicity material.

We also ask that the following appears on all print and publicity material 'By arrangement with Samuel French Limited (Artistes' Repertory Theatre)'.

Artistes' Repertory Theatre is the authorised agents in India for Samuel French for the issue of licences to perform. ART agreed to the agency on the express condition that we would be allowed to exercise our judgment on how much should be charged. We may charge Rs.500 where the Pound Sterling rate is Rs.7,000.

Please contact us BEFORE you begin readings and rehearsals. We can help.

The information we require comprises

· Name of the play
· Name of the playwright
· Performing Group, Director, Address and Contact Details
· Ticket Prices
· Venue and Venue Capacity*
· Number of shows, Dates and Times
· Sponsors
· Payment to cast and crew?

*there is a surcharge for every 100 seats over 400

Contact us at
samfren@jagrititheatre.com